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	<title>out of sequence</title>
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	<pubDate>Fri, 24 May 2024 20:06:53 +0000</pubDate>
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		<title>off world copy copy</title>
				
		<link>https://out-of-sequence.com/off-world-copy-copy</link>

		<pubDate>Tue, 20 Feb 2024 06:44:10 +0000</pubDate>

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	&#60;img width="648" height="85" width_o="648" height_o="85" data-src="https://freight.cargo.site/t/original/i/31fe5e91f1a5d8653e950f5899ea1b3609d44d891f4847d5eb1b95e54517bdde/Asset-852x.png" data-mid="205025374" border="0"  src="https://freight.cargo.site/w/648/i/31fe5e91f1a5d8653e950f5899ea1b3609d44d891f4847d5eb1b95e54517bdde/Asset-852x.png" /&#62;


	

	
	



	


	︎

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		<title>memory Institute wax hearts</title>
				
		<link>https://out-of-sequence.com/memory-Institute-wax-hearts</link>

		<pubDate>Fri, 24 May 2024 20:06:53 +0000</pubDate>

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&#38;nbsp;&#60;img width="374" height="129" width_o="374" height_o="129" data-src="https://freight.cargo.site/t/original/i/8200b31cdf4f7b8cce98f0c889b21d55a79df7ed6942fb71f480bf16b78b05f6/Asset-941.5x.png" data-mid="211618159" border="0"  src="https://freight.cargo.site/w/374/i/8200b31cdf4f7b8cce98f0c889b21d55a79df7ed6942fb71f480bf16b78b05f6/Asset-941.5x.png" /&#62;


	
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		<title>cassette malevolent text copy</title>
				
		<link>https://out-of-sequence.com/cassette-malevolent-text-copy</link>

		<pubDate>Tue, 14 May 2024 04:09:16 +0000</pubDate>

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&#60;img width="406" height="129" width_o="406" height_o="129" data-src="https://freight.cargo.site/t/original/i/82e2eda5b64f0365250fa7570dd338afa9fc95a9d1487d892c6dc449bb7e0ca2/Asset-911.5x.png" data-mid="210855805" border="0"  src="https://freight.cargo.site/w/406/i/82e2eda5b64f0365250fa7570dd338afa9fc95a9d1487d892c6dc449bb7e0ca2/Asset-911.5x.png" /&#62;


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		<title>erosion</title>
				
		<link>https://out-of-sequence.com/erosion</link>

		<pubDate>Wed, 11 Oct 2023 17:23:50 +0000</pubDate>

		<dc:creator>out of sequence</dc:creator>

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		<description>&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/8c22199e930197d02cfbcdf0ea29df464ab10831f75b06ab38f03c06cfd653b9/nostromo.jpg" data-mid="212290814" border="0"  src="https://freight.cargo.site/w/1000/i/8c22199e930197d02cfbcdf0ea29df464ab10831f75b06ab38f03c06cfd653b9/nostromo.jpg" /&#62;&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/7822062095c00f7e9ea92f245c16d500af6c5935955b88d6ab6e5dd8e710bcc5/stone-001.jpg" data-mid="212969741" border="0"  src="https://freight.cargo.site/w/1000/i/7822062095c00f7e9ea92f245c16d500af6c5935955b88d6ab6e5dd8e710bcc5/stone-001.jpg" /&#62;&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/13136435d25915a6b76f91e6f0726e36f26cd338d9493a57c6b7e5d7ef5e3f8e/d-map-001.jpg" data-mid="212969747" border="0"  src="https://freight.cargo.site/w/1000/i/13136435d25915a6b76f91e6f0726e36f26cd338d9493a57c6b7e5d7ef5e3f8e/d-map-001.jpg" /&#62;&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/346a7bedeb8d10bed80d7df90c09ee5fb9dc5161c606eb15464b85a2d87ff413/stone-003.jpg" data-mid="212976833" border="0"  src="https://freight.cargo.site/w/1000/i/346a7bedeb8d10bed80d7df90c09ee5fb9dc5161c606eb15464b85a2d87ff413/stone-003.jpg" /&#62;

&#60;img width="2500" height="1425" width_o="2500" height_o="1425" data-src="https://freight.cargo.site/t/original/i/110a4f510272d11d7e04941e59554a37972c04c43c85ead463fd5bab03e58d9a/grand-canyon-001.jpg" data-mid="212977550" border="0"  src="https://freight.cargo.site/w/1000/i/110a4f510272d11d7e04941e59554a37972c04c43c85ead463fd5bab03e58d9a/grand-canyon-001.jpg" /&#62;</description>
		
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		<title>erosion text </title>
				
		<link>https://out-of-sequence.com/erosion-text</link>

		<pubDate>Sat, 14 Oct 2023 08:38:57 +0000</pubDate>

		<dc:creator>out of sequence</dc:creator>

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	EROSION



	A stone scarred, fractured, broken and bent into its current shape by the oceans. Collected on Portobello beach Edinburgh circa 2010-2014. Stone 6cm x
5cm x 4cm - 114g.

A rock from halfway between the top surface and the riverbed of the Grand
Canyon United States of America. Collected by Anna Hawkins 2018. Rock fragment
9cm x 3cm x 4cm - 95g.
Each image in this sequence is constructed from approximately 20-50 separate
images. Some images are a composite of 50 images. Each 16-bit individual
capture is around 600Mb x 50 this equal around 30Gb of data for one image.
What you are looking at is 50 images as a singular image. There are multiple
focal points. Sliced focus where the depth of field is extremely narrow and is
the point from which diverging rays appear to proceed.

	


















This work
has a correlation with the work of visual educationalist Gyorgy&#38;nbsp;Kepes whose
series of textbooks Education of Vision analysed how we look
at the world.

"In a
life torn by directionless dynamics, that worships mere activity and disregard’s
purpose and value, I need meaning and tranquillity.”


“I suspect the ego-dominated visual exercises in personality competition. I am
searching for those low-energy experiences which, in their subdued scale, allow
more embracing patterns of order. I am seeking affinities between my complete
moments and the patterns of my surroundings"
(Gyorgy Kepes, "Comments," University of Illinois Exhibition of
Contemporary American Painting Urbana, Illinois: University of Illinois, 1952],
p. 202.)























Photography Malcolm Brown 2023-2024.
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	<item>
		<title>geology deep time meteorites</title>
				
		<link>https://out-of-sequence.com/geology-deep-time-meteorites</link>

		<pubDate>Wed, 17 Aug 2022 05:56:44 +0000</pubDate>

		<dc:creator>out of sequence</dc:creator>

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&#60;img width="2500" height="1812" width_o="2500" height_o="1812" data-src="https://freight.cargo.site/t/original/i/d3384efeb88d5a80e4743ae3d9a8280f76a1ed838384b1c0b30a055333837af8/NEW-Render-from-HF-1-copy-3.jpg" data-mid="200644227" border="0"  src="https://freight.cargo.site/w/1000/i/d3384efeb88d5a80e4743ae3d9a8280f76a1ed838384b1c0b30a055333837af8/NEW-Render-from-HF-1-copy-3.jpg" /&#62;&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/7f9f279c9cc25698779e75e5a622f310e2b18e32db80c366f34996b6a9f19997/NEW-Render-from-HF-1-crop-1.jpg" data-mid="193112413" border="0"  src="https://freight.cargo.site/w/1000/i/7f9f279c9cc25698779e75e5a622f310e2b18e32db80c366f34996b6a9f19997/NEW-Render-from-HF-1-crop-1.jpg" /&#62;&#60;img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/f77bffcfaeff22e1887089fd56ed93ccee5fae2f14db11a8bdb7790d17fa717a/NEW-Render-from-HF-1-copy-2.jpg" data-mid="200638329" border="0"  src="https://freight.cargo.site/w/1000/i/f77bffcfaeff22e1887089fd56ed93ccee5fae2f14db11a8bdb7790d17fa717a/NEW-Render-from-HF-1-copy-2.jpg" /&#62;&#60;img width="2500" height="1953" width_o="2500" height_o="1953" data-src="https://freight.cargo.site/t/original/i/4cb3bda04fb4a6bdd9d4c458cb4d89ea6dfa23d6de1db0d945c75a1853b5514c/29-09-23-copy-1.jpg" data-mid="195512965" border="0"  src="https://freight.cargo.site/w/1000/i/4cb3bda04fb4a6bdd9d4c458cb4d89ea6dfa23d6de1db0d945c75a1853b5514c/29-09-23-copy-1.jpg" /&#62;&#60;img width="2400" height="1756" width_o="2400" height_o="1756" data-src="https://freight.cargo.site/t/original/i/d7ad01ddb525b977d2df514b9b60ef8b2ac265897f7f13bfe810d72cd87b0761/0031342c-Edit-copy.jpg" data-mid="197125230" border="0"  src="https://freight.cargo.site/w/1000/i/d7ad01ddb525b977d2df514b9b60ef8b2ac265897f7f13bfe810d72cd87b0761/0031342c-Edit-copy.jpg" /&#62;</description>
		
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		<title>schematic source text</title>
				
		<link>https://out-of-sequence.com/schematic-source-text</link>

		<pubDate>Sun, 17 Sep 2023 05:51:29 +0000</pubDate>

		<dc:creator>out of sequence</dc:creator>

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	&#38;nbsp;SOURCE

	










This sequence of images are captures from one of the fragments collectively
known as the:“
Gibeon (full slice) Nickel iron meteorite that
fell in prehistoric times in Namibia.
It was named after the nearest town: Gibeon.
The meteorite was discovered by the Nama
people and used by them to make tools and weapons, including
heads for their assegais.
The triangular pattern in the texture of iron-nickel meteorites, called the
Widmanstätten pattern, formed more than 4.5 billion years ago as the metal
cooled. One iron-nickel mineral, kamacite, formed thin layers along the surface
of crystals of another, taenite, which contains less nickel.”Meteorites are the principal source of
extra-terrestrial off world material. Shattering on impact with earth meteorite
fragments are epic recordings of time. They lock time at enormous intervals.
They give us clues about the deep space humans inhabit.
 
When I held the Gibeon meteorite fragment in my hands for the first time in 2013, the Widmanstätten pattern presented like organised
code we have yet to decipher.&#38;nbsp;Probability suggests these are amongst the oldest sequences of patterns we have
on this planet.


	The Gibeon patterns have a
spatial composition suggesting a three dimensional view of a
grid or cube like structure. It looks like a complex schematic drawing
where we can view multiple data layers.
Early Sumerian tablets and other
ancient mark making languages are very abstract in their composition and have
been interpreted.




 “William Burroughs wrote, “language is a virus from outer space.” This is a
thought-provoking image. Like a virus, a particular language is not part of the
host's own genome, but it uses the host to spread itself.”
These images are composites of
nine macro images. There are three separate images two are focus stacked the
other is a collage of nine separate macro details.
The sequence of meteorite details have been processed using various software
tools with a focus on delineating the pattern. My further aim is to break these
patterns down into graphic components for printing on a larger scale.



 Photography Malcolm Brown 2013 and 2023.






These images have been reprocessed, remixed and adapted from images photographed by Malcolm Brown for the University of Edinburgh Heritage Collections.

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		<title>static-the fallen</title>
				
		<link>https://out-of-sequence.com/static-the-fallen</link>

		<pubDate>Sun, 17 Sep 2023 04:55:44 +0000</pubDate>

		<dc:creator>out of sequence</dc:creator>

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&#60;img width="2500" height="2771" width_o="2500" height_o="2771" data-src="https://freight.cargo.site/t/original/i/73369c97e8c150d2c82afdf9ebe343cbf726afd0d3c8e5485699802c5fdf778a/rain-drops-001-1-copy-1.jpg" data-mid="213466870" border="0"  src="https://freight.cargo.site/w/1000/i/73369c97e8c150d2c82afdf9ebe343cbf726afd0d3c8e5485699802c5fdf778a/rain-drops-001-1-copy-1.jpg" /&#62;&#60;img width="2500" height="2387" width_o="2500" height_o="2387" data-src="https://freight.cargo.site/t/original/i/e97f423ab3a1b30af5bb2fc4d46e7f37f9a660f6ad7d9c2696dba729516263a6/rain-drops-002.jpg" data-mid="213041891" border="0"  src="https://freight.cargo.site/w/1000/i/e97f423ab3a1b30af5bb2fc4d46e7f37f9a660f6ad7d9c2696dba729516263a6/rain-drops-002.jpg" /&#62;&#60;img width="2500" height="1791" width_o="2500" height_o="1791" data-src="https://freight.cargo.site/t/original/i/e6f9fce54df7f39c3361a40c14d3cc79530d4e0e85ad78a2a18a21eafc2661df/0031353c-copyrain-drops--1.jpg" data-mid="214610706" border="0"  src="https://freight.cargo.site/w/1000/i/e6f9fce54df7f39c3361a40c14d3cc79530d4e0e85ad78a2a18a21eafc2661df/0031353c-copyrain-drops--1.jpg" /&#62;

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		<title>static text</title>
				
		<link>https://out-of-sequence.com/static-text</link>

		<pubDate>Sun, 17 Sep 2023 05:02:11 +0000</pubDate>

		<dc:creator>out of sequence</dc:creator>

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	STATIC RISING FROM THE RED SAND IN THE BAY OF FUNDY



	From - On Fossil Rain-Marks of the Recent, Triassic, and Carboniferous periods. By Sir CHARLES LYELL, F.R.S., G.S.


“Afterwards, in 1842, I saw similar impressions of recent date, which had been made between high- and low-water mark on the red sand and mud bordering the Basin of Mines, in the Bay of Fundy.”


Rain Drops – a: 10cm x 7cm x 1cm - 38g

Rain Drops – b: 7cm x 5.5cm x 1cm - 21g


	Images in sequence:1-3 Rain Drops. Collected by Charles Lyell.Photography Malcolm Brown 2013. Reprocessed 2023.These images have been reprocessed, remixed and adapted from images photographed by Malcolm Brown for the University of Edinburgh Heritage Collections.





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		<title>header image</title>
				
		<link>https://out-of-sequence.com/header-image</link>

		<pubDate>Sun, 12 May 2024 09:29:47 +0000</pubDate>

		<dc:creator>out of sequence</dc:creator>

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		<description>&#60;img width="2395" height="914" width_o="2395" height_o="914" data-src="https://freight.cargo.site/t/original/i/1e6fd6ecd2e39f6f222f80094645f330741fe9fcfe4a36108d704268dfdf51b7/malcolm-brown-in-the-zone-copy.jpg" data-mid="210944525" border="0"  src="https://freight.cargo.site/w/1000/i/1e6fd6ecd2e39f6f222f80094645f330741fe9fcfe4a36108d704268dfdf51b7/malcolm-brown-in-the-zone-copy.jpg" /&#62;
	THE ZONE CENTRAL BELT SCOTLAND 1982. IMAGE&#38;nbsp; A. ANDERSON.

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