ARTISTS & ART COLLECTIONS
I work with artists to facilitate complex and differing aspects of their practice.
Working within cultural heritage I have documented many fine art works from early career to established artists’ work and historic collections.
Images in sequence:
1-4. Selected by Clare Barclay:
Sample imprint from-1865-1870. Description:
These neatly adhered and labelled fabric swatches are part of a handmade book filled with similar items created by an unknown hand. Each fabric has its own number, as does the page in question which allows the reader to easily keep track, even if these numbers have become worn over the years. There is a 5-year span in which the book was compiled and ‘published’. There is no date on this book, but it can be dated based on some fabrics with unique features.
5-7. Plaster Maquettes, Eduardo Paolozzi.
8. Four Blades, Ian Hamilton Findlay.
9-10. Withdrawn Objects, Stephanie Mann.
Photography 2014-2024 Malcolm Brown.
These images have been reprocessed, remixed and adapted from images photographed by Malcolm Brown for the University of Edinburgh Heritage Collections.
1-4. Selected by Clare Barclay:
Sample imprint from-1865-1870. Description:
These neatly adhered and labelled fabric swatches are part of a handmade book filled with similar items created by an unknown hand. Each fabric has its own number, as does the page in question which allows the reader to easily keep track, even if these numbers have become worn over the years. There is a 5-year span in which the book was compiled and ‘published’. There is no date on this book, but it can be dated based on some fabrics with unique features.
5-7. Plaster Maquettes, Eduardo Paolozzi.
8. Four Blades, Ian Hamilton Findlay.
9-10. Withdrawn Objects, Stephanie Mann.
Photography 2014-2024 Malcolm Brown.
These images have been reprocessed, remixed and adapted from images photographed by Malcolm Brown for the University of Edinburgh Heritage Collections.